Artificial Flowers

Bouquets and stems for rooms that never get fresh flowers

A bouquet is the fastest way to make a table look considered. It is also the fastest way to watch something die. Real-touch faux flowers solve the second problem without giving up the first: the petals have the weight, curve and slight irregularity of a real bloom, but they hold their shape through a dinner, a season and a move.

This collection covers two approaches — a full bouquet for impact and single stems for arrangements you want to build yourself.

The peony bouquet: twelve heads, gradient-dyed

The blush peony bouquet is made from real-touch polymer and shaped into twelve full heads, each around 8 cm across. The colour is applied as a gradient rather than a flat coat, so the centre of each petal is deeper and the edges fade toward cream. That variation is what keeps a bouquet from looking like a row of identical cut-outs.

The stems are wire core, which means you can bend them to open the bouquet wider or gather it tighter. A bouquet that can change shape is much easier to place in a vase you already own.

The eucalyptus set: five stems, flocked

The eucalyptus stems are sold as a set of five, each about 38 cm long. The leaves are flocked for a soft, matte sage finish rather than a glossy plastic sheen. The wire core runs through each stem, so they can be arched, crossed or tucked into a wreath, a runner or a tall vase.

Used alone, five stems make a loose, airy arrangement. Mixed with the peonies, they add the slightly untidy structure that makes a bouquet look gathered by hand instead of bought by the bunch.

Arranging a bouquet that looks gathered, not staged

Start with the tallest stem and set the height first. Then work outward in odd numbers, turning the vase as you go so no side gets all the weight. Keep one or two stems lower than the rest and let a leaf cross the rim; symmetry is what makes an arrangement look artificial.

If the bouquet will sit on a dining table, keep the total height below eye level so guests can see across it. For a console or a sideboard, a taller, narrower arrangement works better than a wide dome.

Weddings, dinners and everyday tables

The peony and eucalyptus mix suits long tables, welcome tables and photo backdrops because it holds up under warm lighting and does not drop petals onto a tablecloth. For a wedding, the same stems can be split across several smaller vases and recombined later at home. For everyday use, a single peony stem in a narrow vase is often enough; the bouquet does not have to be used all at once.

Because the stems are adjustable, a bouquet can move from a low centrepiece to a tall entry arrangement without buying anything new.

Keeping petals and flocking clean

Dust is the main enemy of real-touch polymer. Once a month, hold the bouquet by the stems and use a hairdryer on the cool setting, at a distance, to blow dust out of the petals. For flocked eucalyptus, a soft brush is safer than a cloth because it lifts dust without flattening the nap.

Keep both away from prolonged direct sun and from heat vents. The peony is waterproof, but the eucalyptus flocking is best kept dry; neither needs water in the vase. If a petal is crushed, warm it gently between your fingers and reshape it while it is still flexible.

Shipping, returns and what to expect

Orders dispatch within 2–4 business days and arrive in 4–6 business days on the standard service. Shipping is complimentary over $38.88. Returns are accepted within 30 days, and the foliage carries a 2-year colour guarantee.

If you are choosing between the two, start with the bouquet when you want a finished arrangement and with the eucalyptus set when you want to build your own. Most people end up using both.

Oversized florals for spaces that need a focal point

Some rooms are too large for ordinary decor. A hotel lobby, a retail window, a double-height event space or a photo set needs a shape that reads from across the room, not just from the sofa. A giant floral display does that job in a way that furniture rarely can: it is sculptural, it is light enough to move, and it can be restyled without rebuilding the room.

This collection is built around one oversized piece, the 180 cm peony display, designed to be assembled, moved and reused rather than treated as a permanent installation.

The 180 cm peony display: EVA foam, gradient-dyed

The display stands 180 cm tall with a flower head around 55 cm across. The petals are EVA foam, a material that holds a curve without looking rigid, and the colour is gradient-dyed so the centre of each petal is deeper than the edge. At this scale, a flat colour would look like painted plastic; the gradient is what gives the piece depth from a distance.

The stem is an aluminum-plastic composite, which keeps the piece light enough for two people to move while staying straight under the weight of the head. The display is modular, so it can be broken down for transport and reassembled on site.

Lobbies, retail windows and event backdrops

• Hotel and office lobbies: a single piece beside reception or at the end of a sightline, where arriving visitors see it before they see a sign.
• Retail windows: a focal point that can be recoloured or repositioned for a seasonal change without replacing the structure.
• Weddings and events: an entrance marker, a photo backdrop or a stage edge that reads clearly in photographs.
• Showrooms and launches: a temporary statement piece that packs down into a car or a van.

In a large space, one oversized piece usually works better than several medium ones. The eye needs a single anchor; a row of smaller displays spreads attention and makes the room feel busier without feeling fuller.

Planning height, footprint and sightlines

At 180 cm, the display sits above the height of a standing adult's shoulder but below most door frames. Check the ceiling and any overhead signage before you place it. The 55 cm head needs clearance on all sides; if it is pushed into a corner, the silhouette is lost.

Leave at least a metre of walking space around the base in a public area. The piece is light enough to move, which also means it can be knocked; a weighted base or a discreet floor weight is worth planning for in high-traffic spaces.

Fire performance and public spaces

The EVA foam used here is rated UL94 V-0, a recognised flammability standard for plastic materials. That rating matters in commercial interiors where a specifier or venue asks for documented fire performance. Keep the product documentation with the piece and check the venue's requirements before installation; local codes vary, and the rating is one input rather than a substitute for a fire strategy.

Modular assembly and handling

The display breaks down into a stem and head assembly. Assemble it on the floor or a low table before standing it upright, and use two people for the final lift. Keep the petals supported while the stem is being connected so the foam does not crease at the joint.

For repeated events, label the parts and store the head flat rather than standing it on its petals. A soft blanket between the head and the van floor prevents scuffs during transport.

Care and reuse across events

Dust the petals with a soft dry cloth or a cool hairdryer. Do not use water or solvent cleaners on the foam. If a petal is dented, warm it gently with a hairdryer on low and reshape it by hand; EVA foam returns to shape better than silk or polymer.

Between events, store the piece dry and out of direct sun. The foliage is UV-resistant, but long-term outdoor exposure is not what this piece is designed for; it is specified for indoor use.

Shipping, returns and briefing our team

Orders dispatch within 2–4 business days and standard delivery takes 4–6 business days. Standard shipping is complimentary on orders over $38.88. Returns are accepted within 30 days, and the foliage carries a 2-year colour guarantee.

If you are planning a commercial installation, send us the ceiling height, the footprint you can spare and the sightline you want to anchor. Those three measurements are usually enough to confirm whether one 180 cm piece will do the job or whether the space needs a pair.